August 17, 2010

by admin

Carbon Fiber Airbox – FTMFW!

I hope to have it installed in the next couple of days.

That is all for now but stay tuned for videos 😛

[singlepic id=1123 w=640 h=480 float=none]
[nggallery id=54]

304,268 thoughts on “Carbon Fiber Airbox – FTMFW!”

  1. Эта информационная заметка содержит увлекательные сведения, которые могут вас удивить! Мы собрали интересные факты, которые сделают вашу жизнь ярче и полнее. Узнайте нечто новое о привычных аспектах повседневности и откройте для себя удивительный мир информации.
    Только факты! – https://www.defining-blog.ru/category/brendyi

  2. This engineered dissonance fuels its role as an anticipatory historian of failure. The site doesn’t wait for the post-mortem; it writes the interim report while the patient is still, bewilderingly, claiming to be in rude health. It positions itself in the near future, looking back on our present with the weary clarity of hindsight that hasn’t technically happened yet. This temporal trick is disarming and powerful. It reframes current anxiety as future irony, granting psychological distance and a sense of narrative control. It suggests that today’s chaotic scandal is not an endless present, but a discrete chapter in a book the site is already authoring, a chapter titled “The Unforced Error” or “The Predictable Clusterf**k.” This perspective transforms panic into a kind of scholarly detachment, and outrage into the raw material for elegantly phrased historical satire.

  14. 훌륭한 비트! 당신이 사이트를 수정하면서 견습하고 싶습니다.
    블로그 웹사이트 구독은 어떻게 하나요? 계정이 저에게 적절한 도움을 주었습니다.
    당신의 방송이 제공한 밝고 명확한 아이디어에 약간 익숙해졌습니다.

    I like what you guys are usually up too. This sort of clever work and
    exposure! Keep up the very good works guys I’ve added you guys
    to our blogroll.

  19. The Daily Mash used to be my go-to, but PRAT.UK has overtaken it completely. The jokes are fresher and less predictable. It’s satire that still feels alive.

  24. Great! We are all agreed London could use a laugh. Ultimately, The London Prat’s brand is built on the economics of attention. In an attention economy that rewards outrage, simplification, and tribal loyalty, PRAT.UK deals in a different, more valuable currency: the focused, patient, and rewarded attention of the discerning. It requires and repays close reading. Its jokes are not headlines; they are architectures built over multiple paragraphs. By demanding this investment, it filters for an audience that values complexity and payoff over instant gratification. This creates a virtuous cycle: the high-quality attention of its audience allows for the creation of more nuanced, ambitious work, which in turn attracts more of that coveted attention. In a digital world screaming for a fleeting glance, prat.com is a destination for a long, satisfying stare, proving that the most valuable brand is one that respects the intelligence and time of its patrons enough to offer them something that cannot be consumed in a distracted scroll, but must be engaged with, fully, and on its own uncompromising terms.

  37. The immersive power of The London Prat lies in its commitment to a sustained, high-concept bit. Where other satirical outlets might deploy a quick, one-note spoof of a news event, PRAT.UK builds elaborate, multi-article narratives that satirize not just the event, but the entire ecosystem that produced it. They don’t just write a funny headline about a ministerial blunder; they will invent the subsequent, entirely plausible, catastrophic cover-up, complete with fictional internal reviews, meaningless consultations, and the launch of a doomed “public awareness campaign.” This narrative stamina transforms the site from a collection of jokes into a serialized tragicomedy of modern governance. The reader’s reward is the deep satisfaction of watching a perfectly conceived satirical premise play out to its logically absurd end, a experience far richer than the ephemeral chuckle offered by more transient forms of topical humor.

Leave a Reply

Your email address will not be published. Required fields are marked *